Странно, мило и красиво, но этого не существует - Sora [часть 1]

un femme avec un masque de la comedia del arte qui fait peur est debout dans un champ avec un fumigène a la main qu'elle tient au dessus de sa tête, elle a une robe blanche transparente avec des fines bretelles et des bottes en caoutchouc. des pierres s'élèvent du sol dans les airs, le vent souflle fort

a strange surrealist woman in a wedding dress holding a smoke grenade in the middle of a library haunted by ghosts.

la même femme habillée pareil sauf que a la place de sa tête il y une vieille Tv des années 70 comme un casque. la femme est assise dans un vieux fauteuil dans une décharge publique.

abandoned open field at dawn, cold fog creeping across dry grass, a single figure in futuristic gray cloak walking slowly toward a large mirrored monolith, overcast sky, light wind rustling grass, Tarkovsky style, silent, contemplative

Monochrome city intersection shot in time-lapse mode. Everything in the scene is black and white, except for a girl in his 20s dressed in luxury clothing. She sits motionless, shaking his head slightly to the beat of the music. She's wearing full-length headphones. Around her, crowds of people are moving in disorder, going in all directions - a fast-paced urban bustle. The contrast between the chaotic movement of the crowd and girl's absolute stillness creates a powerful visual tension. The scene is cinematic, poetic and thought-provoking, emphasizing the ability to reflect amidst the chaos of the city.

The scene shows an ultra-realistic human eye, with long and well-defined eyelashes. On the surface of the eye, small women about 10 cm tall are busy transforming the eyelashes into a true work of engineering. Scaffolding surrounds the eyelashes, with some women positioning new strands. Others use ropes to climb and apply extensions. The soft lighting highlights the realistic details of the eye, while tiny brushes and delicate tools in the workers' hands indicate meticulous work.

The tiny women continue to work on the eyelashes, with some reinforcing the base of the strands and others adjusting the curvature to achieve the perfect shape.

A close-up view of a large fingernail, resembling a construction site with scaffolding around it. Miniature construction workers, wearing hard hats and safety vests, are busy working. Some workers are suspended in the air by safety harnesses, as if polishing or shaping the . fingernail Others are on scaffolding, wielding tools such as small hammers and brushes. The scene is bustling with activity, as if the workers are refining the fingernail for a grand presentation.

Ultra-realistic macro photography of a giant, freshly prepared sushi roll, with tiny, highly detailed Japanese chefs in traditional white uniforms and headbands meticulously assembling it. Some chefs stand on bamboo scaffolding, carefully slicing and arranging vibrant, fresh salmon, while others spread glossy soy sauce with delicate brushes. One chef is rolling the sushi with an oversized bamboo mat, while another sprinkles sesame seeds from a miniature wooden bowl. The deep black seaweed contrasts with the bright white rice, avocado, and crisp cucumber. Dramatic cinematic lighting enhances textures and colors, with steam rising slightly to emphasize freshness. Photorealistic, 8K resolution, volumetric lighting, shallow depth of field

Фотореалистичная сцена ультравысокого качества, снятая статичной камерой. Гигантский огурец, рядом множество миниатюрных рабочих в ярких касках и спецодежде. Рабочие активно срезают кожуру строительными инструментами, мини-трактора с лезвиями режут огурец на ломтики. Используются леса, лестницы, подъёмные краны, рабочие аккуратно вынимают семена, убирают кусочки в контейнеры, каждый занят своим делом. Максимальный реализм, натуральные цвета и текстуры огурца, атмосфера живой стройки

The one who shaves the pen with me, in the form of workers, mini human workers with film, the one who works on the pen, the pen Will be big, the workers are miniatur. Let only the tip of the pen be visible. The camera angle should be closer to the pen, the people should be smaller, and it should be more realistic resembling a real construction site. People will fly in the air, and to make it more realistic, you can build scaffolding or something, for example. Please pay attention to details. Great let's add a little more detail, let's make the pencil work a little more intense.

Footage appears as if captured with an ancient 19th-century camera, complete with flickering exposure, uneven frame rate, and grainy, black-and-white texture. The scene shows a dusty archaeological site where Victorian-era explorers have uncovered a fossilized skeleton of a giant humanoid. A dusty 19th-century archaeological excavation site in England, where Victorian-era explorers have uncovered the fossilized skeleton of a giant humanoid. The partially unearthed bones lie in a large trench, surrounded by wooden scaffolding and early excavation equipment. The massive skeleton features a human-like skull, ribcage, and limbs – clearly resembling a man, but at least three times larger than a normal person.Archaeologists in period clothing (pith helmets, coats, waistcoats) examine the remains with brushes and measuring tools. The recording looks shaky, as if taken with early experimental film equipment.

​Vídeo amador, de baixa qualidade e resolução, gravado da perspectiva de um passageiro em um navio mostrando um objeto colossal. O objeto é altamente detalhado, com formato de disco voador, oval, com uma cor branca fosca e aparência desgastada. Ele sobe lentamente para o céu, distante, envolto por uma leve neblina, com dimensões gigantescas comparáveis a uma montanha. De baixo do objeto escorre um líquido verde brilhante que cai no oceano enquanto ele suga e absorve a água ao redor. Na frente da câmera, várias pessoas aparecem de costas, também filmando e observando a cena em silêncio e espanto. O objeto permanece longe do navio, sem se aproximar, e o navio também mantém distância, seguindo seu trajeto sem se mover em direção ao objeto.

In the style of a very old, deteriorated black-and-white documentary film, prehistoric cavemen are seen calmly feeding various domesticated dinosaurs. Some dinosaurs wear primitive leather saddles, indicating they've been tamed for riding. The footage is grainy, shaky, and flickering, resembling early 20th-century archival documentary reels. The cavemen, dressed in rough animal pelts, interact naturally and comfortably with the dinosaurs. Occasional film artifacts, scratches, burns, and noise add authenticity to the scene. Cinematic, vintage, surreal, historically impossible yet visually believable.

genera un video de una perrita raza PUG, con gafas de sol, surfeando mientras toma un GIN, y trae un collar de oro con una placa grabada con su nombre Carlota

A capybara is at a desk in a bustling call center. It wears a tiny headset and delicately types on a keyboard with its paws. Behind it, rows of other capybaras are visible, each engrossed in their work, with phone calls and typing noises creating a background hum. Papers and a coffee mug clutter the capybara's desk, while a motivational poster hangs on a nearby wall. The scene is both humorous and charming, showcasing the capybara's dedication.

The capybara pauses, rubs its eyes briefly, and then resumes typing with renewed focus.

A orange cat taking a selfie mid-air while skydiving from an airplane, with its ears flapping in the wind and a playful expression on its face.

A golden doodle taking a selfie mid-air while skydiving from an airplane, with its ears flapping in the wind and a playful expression on its face.

A full-body view of a fluffy llama dancing wildly in a gritty Russian urban setting, dressed in a bizarre, eccentric mix of Die Antwoord and LITTLE BIG fashion styles. The llama wears a tight neon tracksuit, oversized gold chain, platform sneakers, and retro sunglasses. It has a bleach-blonde mohawk, fake tattoos, a ridiculous wig, and absurd facial expression. The background features a rundown Russian courtyard with panel buildings, graffiti, old cars, and a group of weirdly dressed people dancing. The vibe is chaotic, surreal, trashy-pop, and electro-punk.

Fat cute capybara eating watermellon while in a pot of boiling water pot has a little fire under it the capybara is relaxed and chill as if it was in a warm bath background is a relaxing nature, the cauldron/pot should have some sakura petals and one petal on the capybara's head, video should have relaxing and slightly funny vibes

"Realistic squirrel taking a bite of an ice cream cone. Tight shot on its face. White cream smeared around its mouth."

a white kitten cute and fluffy flying above Dubai skydiving with a parachute filmed on go pro hyper realistic

An orangutan flying in the back seat of an F-15E strike eagle, while the pilot tosses him a banana. the plane then flies away shooting flares

chickens with arms boxing

A cinematic first-person selfie-style shot of a soldier during World War I, standing in a trench warfare setting. The soldier visibly holds the viewpoint at arm’s length, ensuring his face and upper body remain clearly visible, while trench conditions and fellow soldiers appear clearly in the background. He is dressed in a historically accurate uniform, complete with a steel helmet, khaki tunic, webbing equipment, and mud-stained clothing typical of a World War I infantryman. His expression shows determination and resilience as he looks directly at the viewpoint, occasionally adjusting his grip naturally. The trench environment is active and historically accurate, featuring muddy, narrow passageways reinforced by sandbags, wooden planks, and barbed wire. The background includes: • Fellow soldiers in similar uniforms, positioned along the trench line, some attending to equipment or weapons. • Soldiers manning machine guns and observing enemy positions through binoculars. • Ammunition crates and supplies stacked neatly within the trench. • Signs of trench life, including personal items, lanterns, and makeshift shelters. • A commanding officer nearby, giving orders and inspecting defensive positions. The soundscape is immersive, featuring distant artillery explosions, sporadic gunfire, muffled orders shouted by officers, and the sounds of soldiers moving equipment. The air is thick with the smells of wet earth, smoke, and cordite. The camera remains steady in the soldier’s hand, ensuring his face and the trench scene behind him are always clearly visible. The animation maintains a highly realistic, historically accurate visual style, capturing authentic textures, proper lighting, and meticulous trench warfare details. The video concludes as the soldier takes one last glance around the trench and his fellow soldiers, adjusting his grip slightly before lowering the viewpoint.

A cinematic first-person selfie-style shot of a battle-worn knight standing in a grim medieval war camp, his armor scratched and dented from combat. He holds the viewpoint at arm’s length, his gauntleted hand steady despite the heavy atmosphere around him.

A cinematic first-person selfie-style shot set in ancient Egypt during the construction of the Great Pyramid of Giza, around 26th century BCE. The camera is held at arm’s length on a selfie stick, showing a laborer or royal scribe in the foreground—he remains stationary, capturing the monumental building process without climbing the pyramid slopes. He’s dressed in period-accurate attire: a simple linen kilt, sandals, and perhaps a minimal head covering to shield from the sun. His skin glistens with sweat under the fierce Egyptian heat, and fine sand dusts his arms and face. He grips the selfie stick, occasionally turning to document the bustling activity around him. Behind him, the immense pyramid rises, flanked by ongoing construction: Massive limestone blocks being hauled by teams of laborers using ropes, wooden sledges, and sheer muscle power. Ramps of packed earth and stone, snaking up the side of the pyramid, enabling the heavy stones to be dragged into place. Overseers or engineers with scrolls and measuring rods, directing the workforce and ensuring the perfect alignment of each block. The Nile River gleaming in the distance, with barges delivering more limestone and supplies to the construction site. The soundscape is one of determined effort and urgency: The rhythmic chanting of the laborers, coordinating their pulls to move the colossal stones. The clatter of tools—wooden mallets against chisels, shaping blocks or adjusting ramps. The distant shouts of foremen and scribes as they relay instructions over the din. A dry wind occasionally whipping up the desert sand, carrying the tangy smell of dust and sweat. A Netflix-style cinematic filter adds a grand, timeless quality: Bright, golden sunlight saturates the scene, casting sharp shadows that accentuate the pyramid’s massive geometry. Subtle heat haze distorts the horizon, lending a sense of the scorching midday temperatures. A gentle grain or soft focus effect evokes an ancient, documentary feel, balanced by crisp detail on the main subject’s face. Throughout the shot, the onlooker stands firm, capturing awe at the colossal scale of what humankind is achieving. As workers chant and haul another massive block up the ramp, the subject glances one last time at the rising monument, then lowers the selfie stick. The scene fades in a dramatic, Netflix-inspired close—an intimate glimpse into one of the greatest architectural feats of the ancient world.

In a first-person view, the camera captures an ancient Egyptian laborer or royal scribe, dressed in a linen kilt and sandals, standing with a selfie stick. His skin glistens with sweat under the Egyptian sun as he stands in front of the Great Pyramid of Giza, which rises majestically in the background. Around him, laborers haul massive limestone blocks using ropes and wooden sledges, while overseers direct the construction. The Nile River glints in the distance, and the air is filled with rhythmic chanting and the clatter of tools.​

The laborer turns slightly, capturing a panoramic view of the ongoing construction, with ramps snaking up the pyramid and workers moving in coordinated efforts.

He lowers the selfie stick, gazing one last time at the pyramid as the scene fades out, leaving an impression of the monumental architectural feat.​

Σωκράτης ἐν τῷ δικαστερίῳ ἀπολογούμενος πρὸς Ἀθηναίους

george washington standing at valley forge in the middle of a brutal winter. The camp is spread out behind him in a brutal display

A boy is riding a turtle and laughing as he flies through the sky between the clouds in the sunset sky.

kobieta bardzo ładna i zgrabna trochę przypominająca czarownicę około 27 lat w nocy ubrana w grzybki i rośliny i trawkę i szyszki i liście iglaste, ma ona piękny kapelusz czarownicy przystrojony w grzybki w psychodeliczne i przypominające mgławice kolory. dziewczyna w okularach siedzi śpiąca w niesamowitym teatrze przedstawiajacym piekno lasu z perfekcyjnym oswietleniem i roznymi zaskakującymi pomysłami - Relaxing Music: Deep Sleep Melodies in a Glowing Mushroom Forest - shrooms visuals skulls ghosts

A star fish monster chasing a beautiful woman. At beach. ultra realistic

Ellen Ripley taking a selfie with the xenomorph, both smiling inside the Nostromo ship

A person playing hopscotch on the rings of Saturn.