Промты для новогодних ИИ фото: ТОП-10 самых трендовых промптов для ИИ фото и лучшие нейросети где можно сделать ИИ фотосессию на Новый Год

A woman stands on a winter city street, half-turned, hugging herself, posing with one foot pointed forward, head tilted back slightly, looking at the camera. Full-body portrait. The woman's skin is evenly matte, with long black eyelashes, light brown eyeshadow, and matte pink lipstick. The woman is wearing a voluminous, light-gray, hip-length faux fur coat. The fur is medium-length and textured, with full, slightly elongated sleeves. A light-colored knit sleeve is visible beneath the coat. On her head is a thick, white knit beanie hat with a large, textured knit and a high, turned-down cuff. On her legs are ankle-length, ribbed leggings made of a thick, warm, taupe-colored fabric with slight folds along the length. On her feet are chunky, ecru-colored winter boots with thick, light-colored soles. Warm, milky-colored knit socks, slightly gathered above the ankle, are visible. Setting: Night Christmas street, Russia, in a festive city square with Christmas trees. On either side of the woman are decorated fir trees in rectangular red boxes, on the branches are warm garlands with small yellow lights, the ground is covered with a thin layer of compacted snow and ice, under it, in places, cobblestones are visible, in the background are city buildings and street structures, completely blurred into a large golden bokeh, rows of garlands stretch overhead, creating a dense pattern of orange-yellow light circles, the lighting is warm and soft, warm ambient night lighting, soft front-side lighting, it illuminates the face, the front of the fur coat, soft shadows, highly detailed, photorealistic, shot on an 85mm portrait lens.

A woman in an evening dress sits in a half-turned squat in front of a Christmas tree, leaning her body forward, resting her elbow on her raised leg. Her gaze is directed straight at the camera. Medium shot, knee-length. The woman is wearing a black, form-fitting, strapless dress. The top of the dress is plain. She wears long, black lace gloves that reach above the elbows and feature a large floral pattern and mesh texture. Her legs are covered in black lace tights with the same large pattern. She wears long, cascading earrings made of numerous thin, sparkling chains that reach almost to her shoulder. On her right hand, over the glove, is a thin chain bracelet with a small accent ring. Her skin is evenly matte, with long black eyelashes, light brown eyeshadow, and matte pink lipstick. Her hair is slicked back into a low bun, parted in the center. The setting is a New Year's location against a backdrop of dense, dark-green fir trees, in a festive outdoor-like setting. The foliage is dense, with a warm garland of numerous small yellow lights hanging from the branches. Small patches of artificial snow are visible in places. The background is deep dark, the trees fill the entire background of the frame, individual lights of the garland create a fine, diffused glow. The lighting is contrasting and directional, dramatic cinematic lighting, one bright, warm light source is located in front and slightly to the upper left. Hard shadows, highly detailed, photorealistic. Shot on an 85mm portrait lens.

A woman stands outside, touching her headphones with one hand and her other hand on her waist. Her gaze is directed slightly away from the camera. The shot is medium-length, hip-length, and the composition features a slight three-quarter turn. Her skin is evenly matte, with long black eyelashes, light brown eyeshadow, and matte pink lipstick. Her hair has slight volume at the roots. The woman is dressed in a winter outfit. She wears a voluminous, thigh-length, light beige faux fur coat with long fur. A white turtleneck sweater is visible underneath the outerwear. On her head are large, fluffy, cream-colored earmuffs with a soft white headband. On her lower body is a short, cream-colored, pleated skirt made of thick fabric that reaches mid-thigh, and light lace tights underneath. Setting: Russia, winter city street with Christmas decor, in front of a dark green storefront with arched windows, behind the woman a dark green facade wall and a large arched window frame are visible, on the ground in places there is a thin layer of snow and damp dark paving stones or tiles, in the background on the right and left are blurred New Year's compositions of fir branches, toys and warm garlands, spotlights create many small bright spots, locally there are red accents from the decor, soft natural lighting, soft overcast daylight, diffused light, no direct sunlight, the main source is from above and slightly in front, soft top-front lighting, very soft shadows, highly detailed, photorealistic, shot on a 50mm lens.

A woman sits on a chair near a festively set table, half-slumped on the edge of the seat, leaning back and to the side, legs crossed, gaze downcast. A glamorous woman slouched on a chair next to a Soviet-style New Year's dinner table. Medium full-body shot, horizontal. The woman is positioned to the left of the frame, the table and New Year's tree occupy the center and right of the scene. Photo in the USSR style. Evening makeup: black eyeliner on the upper and lower lids with a light wing, warm brown-gold eyeshadow with pronounced shading in the crease, thickly coated and lifted lashes, skin with a dense matte tone, lips painted with a rich matte lipstick in a terracotta-red tone. Hairstyle – voluminous, 80s-style. The woman is dressed in a 1980s Soviet style, wearing a loose-fitting cream-colored blouse made of soft, silky fabric. The blouse is fastened with small buttons, the stand-up collar is slightly unbuttoned, several strands of large pearl beads hang around her neck, a thin bracelet is on her wrist, a bright red, knee-length pencil skirt of thick fabric is draped around her waist, white stockings with a wide elastic band, and black patent leather high-heeled shoes with ankle straps. She is seated on a wooden chair with a soft, upholstered seat in a brown and burgundy pattern. The setting is a small vintage living room decorated for New Year's. To the right of the woman is a rectangular table covered with a white tablecloth. On the table are crystal glasses, decanters, bowls of salad, plates of tangerines, bottles of champagne and drinks, plates of appetizers, a pack of cigarettes, and a lighter. Around the table are wooden chairs and armchairs with carpeted upholstery. Behind the table, a large wall hanging with a red-brown pattern hangs on the wall. To the left, behind the woman, stands a medium-sized Christmas tree decorated with multicolored garlands, tinsel, glass baubles, and a red star topper. Individual ornaments and a Snow Maiden figurine are visible beneath the tree. The walls of the room are covered with light-colored wallpaper with a small pattern, the floor is laminated, and a small rug is placed near the table. The lighting is warm and soft, atmospheric warm tungsten lighting, the main light source is from the top right, outside the frame, creating a diagonal beam and a noticeable flare in the upper right part of the image, additional light fill lighting on the left, mixed top and side lighting, the light emphasizes the volume of hair, folds of clothing and the texture of objects on the table, shadows are soft but pronounced, soft to medium shadows under the chair, under the woman's feet and under the objects on the table, the overall contrast is medium, the colors are warm with a predominance of yellow-orange and red tones, creating the effect of a lamp-like room atmosphere, highly detailed, photorealistic, shot on an old camera from the 80s.

A woman stands in front of a large Christmas tree, her head slightly lowered and her arms extended at waist level. Her gaze is directed downwards. She occupies the center of the composition, with the tree completely filling the background behind her. Medium shot. Her skin is evenly matte, with long black eyelashes, light brown eyeshadow, and matte pink lipstick. Her hair has slight volume at the roots. The woman is wearing a form-fitting red velvet minidress with a sculpted sweetheart neckline and a fitted bodice. The dress is gathered and draped at the sides and front, with an asymmetrical wrap at the front. The sleeves are long, slightly flared at the wrists, the fabric has a soft sheen in its folds, and a thin light metal chain with a small cross hangs around her neck. The setting is a spacious, festively decorated room, in a large indoor Christmas interior. Behind the woman is a tall, fluffy Christmas tree decorated with warm garlands, red and white balls, shaped toys and hanging bells. Additional Christmas decorations and another smaller tree are visible in the background to the right. The ceiling is high with wooden beams and a large metal chandelier with many horns in the upper right. A soft, light sofa is partially visible in the lower right part of the frame. The lighting is soft and warm, the light emphasizes the texture of the velvet dress. The right side of the figure is slightly darkened. The character of the shadows is soft shadows with low and medium contrast. The shadows under the chin and along the right side are smooth. The garlands on the tree create many small points of warm light and a soft, diffused glow in the background. The overall color balance is with an emphasis on warm yellow-green and red tones. Highly detailed, photorealistic. Shot on a 50mm portrait lens.

Three women stand side by side, posing with champagne glasses. They lean slightly against each other, raising their glasses to the camera, and look forward. The left woman tilts her head back slightly and holds the glass at face level. The center woman smiles a faint smile. The right woman purses her lips in a kiss and tilts her head to her left shoulder. The composition is dynamic. Medium shot. All women have evenly matte skin, with long black eyelashes, light brown eyeshadow, and matte lipstick. The left woman is wearing a form-fitting, dark blue, strapless cocktail dress with vertical stripes of small sequins and textured inserts. The lower portion of the dress features long fringe and a high thigh slit. A wide, black, textured choker hangs around her neck, and a wide, dark cuff bracelet hangs around her wrist. The central woman wears a short, fitted, long-sleeved minidress, fully embroidered with sequins in a geometric zigzag pattern of blue, copper, and black. The hemline falls mid-thigh, the fabric fits snugly around the waist, and she wears large, long, dark-colored cascade earrings. The woman on the right wears a short, form-fitting, dark, shimmery, off-the-shoulder minidress with long sleeves and slits along the arms. The fabric has a uniform, fine shimmer. Each woman holds a tall, clear glass of golden sparkling wine, the bubbles clearly visible. The setting is a festive interior, in front of a shimmering tinsel backdrop. The background is completely covered in dense silver tinsel with vertical shiny ribbons. Warm reflections of pink and orange tones from colored light sources are visible in places. Individual elements of the New Year's decor are partially visible at the top of the frame. The lighting is bright, stage-like, dramatic party lighting, strong front-top lighting, evenly illuminating faces, shoulders, and the front of dresses. There are noticeable bright highlights on the skin, hair, glasses, and sequins. Soft shadows. Highly detailed, photorealistic. Shot on a 50mm lens. Faces are not altered.

A woman stands and holds a large beige bag filled with Christmas balls, medium shot. Body turned 45 degrees to the left (3/4 view), head facing forward, eyes looking directly into the camera. Her skin is evenly matte, with long black eyelashes, light brown eyeshadow, and matte pink lipstick. Her hair is styled in a low, loose bun with voluminous strands near her face. The woman wears large, chunky-framed glasses with clear lenses. The upper portion of the frames is dark, while the lower portion is translucent beige. She is wearing a light-colored striped shirt with a wide collar, open and draped over her shoulders, accentuating the V-neckline. Over the shirt, she wears a voluminous white faux fur coat. She holds a large, vertical tote bag made of soft, light beige leather with visible folds, thin beige handles, and simple stitching. The top of the bag is open, revealing numerous Christmas tree baubles of various sizes in gold, copper, and green tones, matte and glossy surfaces, textured stripes, and smooth spheres. Garlands of green beads, gold pendants, small bells, and balls hang from the handles and edges of the bag. Some of the toys are slightly worn with visible paint chips. The background is a neutral, solid olive-green gradient. Soft studio backdrop, bright studio lighting, dramatic yet soft cinematic lighting, front-side lighting, evenly illuminates the face, glasses, fur, and bag, soft volumetric highlights on the skin, soft shadows, soft shadows under the chin, under the lower lip, along the nose, and under the bag, highly detailed, photorealistic, shot on an 85mm portrait lens.

Low-angle cinematic shot 3/4. The camera is positioned clearly below the woman’s chest level and angled upward at approximately 20–30 degrees, creating a strong upward perspective. The woman is seen from a three-quarter angle from below, not eye-level, with the camera looking up at her. A woman stands outdoors in winter, looking slightly upward. She holds black fur earmuffs with both hands, arms bent at the elbows and raised to her ears. Medium shot, waist-length framing from a low perspective. Her shoulders are turned three-quarters to the camera, her head is slightly raised and turned three-quarters, her gaze directed upward past the camera. She has an even, matte skin tone, with eyelashes coated in black mascara. She is wearing a voluminous dark blue double-breasted coat, fully buttoned. Beneath it, the high collar of a dark brown knit sweater is visible, with the sweater’s cuffs subtly peeking out from the coat sleeves. She wears large, fluffy black fur earmuffs. The scene takes place outdoors at night on a festive city street. In the background, strongly blurred warm yellow-orange lights from garlands and street decorations form a rich bokeh. On the right, an illuminated structure made of golden lights is visible; on the left, a large blurred warm yellow light spot from a lantern or lens flare. Snow is falling throughout the frame, with individual snowflakes frozen in motion both in front of and behind the woman. Lighting is bright night-time artificial lighting with a cinematic, dramatic feel. A warm key light is positioned above and slightly in front of the subject, clearly above the camera, illuminating her face, hair, and the front of the coat, reinforcing the upward perspective. This creates soft but pronounced shadows: gentle shadows under the chin and nose, soft shading along the folds of the coat, and a light penumbra on one side of the face. Snowflakes in front of the woman are also illuminated and clearly visible. Additional background lighting from garlands and lanterns creates a warm halo around the subject. Shadows remain soft, contrast is medium-high. Highly detailed, photorealistic, cinematic winter portrait, shot with a natural cinematic lens (approximately 50mm look), shallow depth of field, strong sense of depth and perspective.

A woman holds a small child on his shoulders, both looking up at a decorated Christmas tree at the side of the frame. The composition is half-turned to the left, the faces of the man and child are on the right side of the frame, and the silhouette of the tree with large baubles fills the left side. The angle is at an eye-level. The woman is wearing a milky-colored, hip-length quilted winter jacket made of matte nylon with a down-filled volume. The collar is turned up, and underneath the jacket he wears a light-colored sweater. He wears gray gloves. The child is wearing a voluminous, light beige quilted jumpsuit with a hood, the collar is turned up to the chin, and a thick knitted hat made of a warm, pinkish-brown textured yarn. The child is wearing bright red winter boots with black soles. The woman is supporting the child by the legs and shins. One of the child's hands is resting on the father's head. The setting is a Russian winter city fair held outdoors. On the left, a close-up of the branches of a tall spruce tree with dense, dark-green needles and multicolored balls is visible. Large, green and orange, glossy decorations are visible. The background is softly blurred. Behind the figure, the façade of an old building with arched windows is discernible. Garlands with small lights and colorful flags are strung over the square. Thin, almost invisible snowflakes hang in the air. Soft, natural lighting, soft shadows, highly detailed, photorealistic, shot on a 50mm lens. Faces are not altered.

A woman sits on the floor next to a Christmas tree, resting her head on her fist and looking directly at the camera with a neutral expression. The composition is frontal, with her body slightly turned to the left, one leg bent and pulled to her chest, the other extended forward, her right arm bent at the elbow, supporting her head, and her left arm resting on the floor at her side. Her hair is slicked back and gathered into a high ponytail, with a bright red ribbon at the base. Her skin is evenly matte, with long black eyelashes. The woman is wearing loose-fitting pajamas made of shiny red satin with white piping along the edges. The top is a classic pajama shirt with a turn-down collar, long sleeves, and buttons down the front. A thin white trim runs along the edges of the collar, cuffs, and placket. A small patch pocket with white embroidery is on the left chest. Wide, straight-leg pants made of the same red satin with white piping along the hem. She wears fluffy slippers with thick white fur. The setting is a cozy homey living room during the holiday season. The woman is seated on a light-colored wooden floor with a noticeable texture to the boards. In the background to the right is a decorated dark green Christmas tree with small red bows and individual red balls hanging from the branches. The blurred outlines of gift boxes are visible at the bottom of the tree. The wall behind is light and plain, without any pronounced decorations, and a white baseboard borders the floor. Flash lighting, darkened background. The flash creates highlights on the satin fabric of the pajamas. Highly detailed, photorealistic, film camera photo with flash and fine grain.

Photo, medium shot, women and figures. A figure in a Santa hat and red pants with suspenders, hugging each other, static composition, both looking slightly forward, perspective at eye level. The woman's hair is slicked back and pulled back into a low ponytail. Her makeup is neon: an even matte skin tone, brown eyeshadow, long, thick black lashes, and lips with a medium-toned matte lipstick in a cool, pinkish-nude shade. The woman wears a long black satin dress with a high side slit, long sleeves, and an open back. A man with an athletic build, with a long white false Santa beard, wears a Santa hat and red pants with suspenders. On a plain grey background, soft diffused lighting from the front creating subtle shadows under the chin and on the sides, a mysterious and dark atmosphere, shot with a 50mm portrait lens with a shallow depth of field and soft bokeh in the background, photorealistic style.